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国王与国家剧情介绍

ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.

《国王与国家》主演列表:
    主演作品:
    • 国王与国家高清
      演员: 德克·博加德,汤姆·康特奈,莱奥·麦凯恩,巴里·福斯特,彼得·科普利,詹姆斯·维利尔斯,杰瑞米·斯宾塞,Barry Justice,Vivian Matalon,基思·巴克利 ,James Hunter,Larry Taylor
    • 水啸雾都下高清
      演员: 罗伯特·卡莱尔,杰萨琳·吉尔西格,汤姆·康特奈,琼妮·威利,拉尔夫·布朗,大卫·苏切,奈格尔·派纳,高夫莱德·约翰,汤姆·哈迪,苏珊·伍尔德里奇,大卫·海曼,彼得·怀特,珂瑟·科特里尔,娜塔莉·博尔特,塞奇莉亚·达齐,莫伊拉·利斯特,乔治·卢帕诺,Ronald France
    • 水啸雾都高清
      演员: 罗伯特·卡莱尔,杰萨琳·吉尔西格,汤姆·康特奈,琼妮·威利,拉尔夫·布朗,大卫·苏切,奈格尔·派纳,高夫莱德·约翰,汤姆·哈迪,苏珊·伍尔德里奇,大卫·海曼,彼得·怀特,珂瑟·科特里尔,娜塔莉·博尔特,塞奇莉亚·达齐,莫伊拉·利斯特,乔治·卢帕诺,Ronald France
    • 会徒爪切骨头的柯基#女王的柯基高清
      演员: 鲁斯蒂·沙克尔福特,乔·怀亚特,利奥·巴拉卡特,玛丽·德文,迪诺·安德拉德,乔伊·卡门,柯克·桑顿,Madison Brown,Dave B. Mitchell,汤姆·康特奈,乔恩·卡肖,萨拉·哈德兰,马特·卢卡斯,柯林·麦克法兰,谢里丹·史密斯,黛布拉·斯蒂芬森,妮娜·瓦迪娅,朱丽·沃特斯,杰克·怀特霍尔,雷·温斯顿
    • 真实事件改编,两人用热气球征服了万米高空#热气球飞行家高清
      演员: 埃迪·雷德梅恩,菲丽希缇·琼斯,文森特·佩雷斯,菲比·福克斯,勒温·劳埃德,希米什·帕特尔,罗伯特·格林尼斯特,蒂姆·麦克纳尼,托马斯·阿诺德,汤姆·康特奈,安妮·雷德,丽莎·杰克逊,丽贝卡·弗朗特,丹尼尔·威尔逊,朱利安·费罗,卡米尔·雷米泽斯基,杰森· 莱恩斯,弗兰·塔格,约翰·泰勒,艾尔莎·阿丽丽,康妮·普莱斯
    • 去里斯本的夜车高清
      演员: 杰瑞米·艾恩斯,杰克·休斯顿,汤姆·康特奈,布鲁诺·冈茨,莉娜·奥琳,夏洛特·兰普林,奥古斯特·迪赫,克里斯托弗·李,马蒂娜·格德克,梅拉尼·罗兰
    战争片排行:
    • 轻骑兵高清

      轻骑兵

      演员: Jon Blake,Peter Phelps,托尼·邦纳,安东尼·安德鲁斯
    • 王者天下高清

      王者天下

      演员: 山崎贤人,吉泽亮,长泽雅美,桥本环奈,
    • 南太平洋高清

      南太平洋

      演员: 罗萨诺·布拉齐,米基·盖纳,约翰·克尔,雷·沃尔斯顿,Juanita Hall,弗兰丝·纽恩,拉斯·布朗,杰克马拉尼,肯·克拉克,Floyd Simmons,沃伦·胜,汤姆·劳克林,Giorgio Tozzi,Archie Savage,John Gabriel,理查德·哈里森,朗·伊莱,Richard H. Cutting,道格·麦克洛,多萝西·阿伯特,Beverly Aadland,Jonni Paris,Ila McAvoy,Larri Thomas,Darleen Engle,James De C
    • 红孩子高清

      红孩子

      演员: 陈克然,宁和,王和永,陆贞冀,关敬熙
    • 赣南1934高清

      赣南1934

      演员: 和龙,李奕娴,李赞,柏霓
    • 仙境2018高清

      仙境2018

      演员: 汤姆·贝伦杰StevenLuke

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